Kim Weston – 1967 – For The First Time
Duke Ellington describes Kim Weston as a “beautiful ebony-hued satin doll whose generous physical adornments are well distributed”. But as everyone knows it takes more to make it in music business. Kim’s most important assets are a great voice and an ability to get out there and sell any songs she sings.
Well known for her duets with Marvin Gaye, Kim Weston should have been a big star. But Berry Gordy was more interested in promoting some of his other artists and Kim remained under appreciated (and under exposed).she is one of the most talented artist to come out of Detroit.
This is a @320 vinyl rip of my original MGM record with covers.
A1 – Where Am I going 2.55
A2 – Free Again 4.50
A3 – Everything In The World I love 3.09
A4 – When The Sun Comes Out 2.49
A5 – Walking Happy 2.50
B1- The Beat Goes On 3.13
B2 – In The Dark 3.25
B3 – If You Go Away 3.43
B4 – Come Rain Or Come Shine 2.20
B5 – Come Back To Me 3.01
B6 – That’s Life 3.22
Best known as a duet partner of Marvin Gaye, Kim Weston also charted with some of her own solo sides during the ’60s, although she never had the breakout success of a Martha Reeves or Diana Ross. Born Agatha Natalie Weston in Detroit in 1939, she started singing in her church choir at age three, and by her teenage years had joined a touring gospel group called the Wright Specials. She signed with Motown during the company’s early days, scoring a minor RB hit in 1963 with “Love Me All the Way“. The following year, she recorded her first duet with Gaye, “What Good Am I Without You” but made the tactical error of turning down a chance to record “Dancing in the Street“, which subsequently became a smash hit for Martha the Vandellas. She enjoyed her biggest solo hit in 1965 with “Take Me in Your Arms (Rock Me a Little While)” and followed it up in 1966 with the equally soulful “Helpless“, both of which helped make her reputation among soul collectors. Also in 1966, she cut an entire album of duets with Gaye, Take Two, which produced the Top Five RB classic “It Takes Two“. By the time it was peaking on the charts in early 1967, however, Weston had already left Motown; she and her husband, producer William “Mickey” Stevenson, moved to MGM, but a pair of albums there (For the First Time and This Is America) proved to be commercial failures. Weston subsequently recorded for Volt (Kim Kim Kim), People (Big Brass Four Poster, an album of jazz standards with the Hastings Street Jazz Experience), and Johnny Nash’s Banyan Tree, all without much success. She did, however, chart with her version of the anthem “Lift Ev’ry Voice and Sing” in 1970. Weston largely disappeared from the music industry during the ’70s; in 1987, Weston became the first of many Motown artists to work with British producer Ian Levine on the Motorcity label, re-recording many of her old hits for the Northern soul market; her two albums for Motorcity, 1990’s Investigate and 1992’s Talking Loud, also featured some new material.